The Editor’s Preface : Rethinking Chinese Music Research as a Global Discipline
Vol.34 (2024.12)
pp.7-10
New Directions in Chinese Music Research : Multi-disciplinarity, In-betweenness, and Engagement
Vol.34 (2024.12)
pp.11-20
Thinking Beyond Chinese Music
Vol.34 (2024.12)
pp.21-34
Exorcism and the Categorical Concept of Dance as Embodied in the Co-ruled Spirit in Johor Old Temple’s Parade of Deities
Vol.34 (2024.12)
pp.35-60
이용수 : 26회
ISANG YUN IN-BETWEEN
Vol.23 (2014.05)
pp.75-108
이용수 : 14회
Tracking the Korean Wave in Transnational Asia : K-Pop and K-Pop Fandom in Indonesia
Vol.28 (2018.04)
pp.9-39
이용수 : 10회
“YOO NAM SAENG” : CL AS MASTER OF THE APPROPRIATIVE MODES OF KPOP AND KHIP-HOP
Vol.28 (2018.04)
pp.161-187
이용수 : 7회
A Study of Jongmyo jeryeak (宗廟祭禮樂) (I)
Vol.20 (2012.11)
pp.105-161
| 년도 | 권호 |
|---|---|
| 2024 | Vol.34 |
| 2023 | Vol.33 |
| 2021 | Vol.32 |
| 2020 | Vol.31 |
| 2019 | Vol.29 Vol.30 |
| 2018 | Vol.28 |
| 2017 | Vol.27 |
| 2016 | Vol.26 |
| 2015 | Vol.25 |
| 2014 | Vol.23 Vol.24 |
| 2013 | Vol.21 Vol.22 |
| 2012 | Vol.19 Vol.20 |
| 2011 | Vol.17 Vol.18 |
| 2010 | Vol.16 |
| 2009 | Vol.14 Vol.15 |
| 2008 | Vol.12 Vol.13 |
| 2007 | Vol.10 Vol.11 |
| 2006 | Vol.8 Vol.9 |
| 2005 | Vol.6 Vol.7 |
| 2004 | Vol.4 Vol.5 |
| 2003 | Vol.3 |
| 2002 | Vol.1 Vol.2 |